Art Work Details
Oil on canvas
73 x 28cm
Origins
2021
Nanking Cherry Blossom portrays branches covered with small white and pale pink blossoms, emerging vividly against a deep field of crimson, violet, and near-black. The dramatic contrast intensifies the fragile brightness of the flowers, allowing them to appear almost suspended within the darkness. Buds, newly opened flowers, and blossoms in full bloom coexist across the branches, capturing spring at its most abundant and vital moment. Nanking cherry blossoms possess a particular kind of transience. Their small, delicate flowers can release their petals while they still appear fresh and beautiful, rather than remaining until they visibly wither. Their disappearance can therefore feel sudden, arriving at the very moment when their beauty seems most complete. The brilliance of the blossoms is inseparable from the awareness that this moment cannot remain. For Jennifer Lee, this contradiction gives the flowers their emotional power. The knowledge that something so beautiful will soon disappear changes the experience of seeing it in the present. Beauty and loss are no longer separate moments. They exist simultaneously. The flowers become traces of a moment already passing into memory, connecting the observation of nature with the artist’s continuing exploration of time, memory, and the persistence of what disappears. Presented within Origins, Nanking Cherry Blossom reveals an early foundation of Jennifer Lee’s artistic language. The work anticipates themes that continue throughout her later practice: beauty at the threshold of disappearance, the passage of time, and the traces left by transient existence. It suggests that what moves us most deeply may not be beauty alone, but the awareness that the beautiful moment before us is already becoming a memory.
[Nanking Cherry Blossom]
This year, small and cute flowers are full of branches.
But why do I get sad when I see this flowers?
Cherry flowers drop their petals before they wither.
The most beautiful flower that disappears!
I guess that’s why I’m sad.