Faded memories Ⅱ Faded memories Ⅱ under UV light

Art Work Details

Faded memories Ⅱ

Technique

Oil on canvas with UV-reactive pigments

Dimensions

73 x 55cm

THEME

Light, Time and Memory

Year

2024

Description

Faded Memories II explores the uncertain territory between remembering and forgetting. Memories rarely return as complete images. Instead, fragments of color, place, atmosphere, and emotion surface unexpectedly, detached from the circumstances to which they once belonged. The work begins with this experience of trying to reconstruct something that can no longer be fully recovered. The composition is built from clusters of irregular geometric cells, some containing recognizable traces of landscape-like imagery while others dissolve into fields of pink, green, blue, and black. These fragmented forms suggest pieces of memory that remain isolated from one another. Although they seem to belong to a larger image, their original relationships have been disrupted by time. The intense central field becomes both a visual interruption and an absence, suggesting a place where memory has been altered, obscured, or replaced. Oil paint and UV-reactive pigments allow the painting to exist in two perceptual states. Under ordinary light, the fragmented structure appears vivid and materially present. Under ultraviolet illumination, the composition changes dramatically. Fluorescent reds and greens emerge from darkness, while other passages recede or become difficult to distinguish. What appeared dominant under visible light may disappear, while previously secondary traces suddenly become luminous. The transformation parallels the unstable nature of memory itself, in which certain details vanish while seemingly insignificant fragments remain unexpectedly vivid. Within Jennifer Lee’s exploration of Light, Time and Memory, Faded Memories II considers memory not as a faithful record of the past but as something continuously transformed by time. What disappears is never entirely absent. Colors, sensations, and emotional traces remain beneath conscious recollection, waiting for a moment in which they may surface again. Through the transition between visible and ultraviolet light, the painting gives physical form to this tension between disappearance and persistence.

Artist Note

[Faded Memories II] When I close my eyes, memories sometimes come back to me. I don’t know where they came from or what they once were. No matter how hard I try to connect them, I cannot remember. Perhaps it was a lakeside in the late autumn rain. Perhaps it was graffiti on the wall of an old building. Most of it has faded from memory, but fragments of color and form remain, still urging me to remember.